by Victor Davis Hanson in
PJ Media
Lady Gaga reportedly spent $25 million on pop art to jazz up her new and apparently underwhelming album. In contrast, Miley Cyrus’ sexual twerking at the MTV Music Video Awards earned her more millions by exposing her rather unimpressive anatomy. Both make the once vulgar Madonna seem like June Cleaver, but at least raise an existential question: how much lower can we go?
Meanwhile, hip-hop artist Kanye West is promoting his own
new music video. He seems to be having sex with his girlfriend Kim Kardashian
while riding a motorcycle. If you did not know that Kanye West was the singer
of the background music, by the quality of the lyrics and beat, you might think
that a fourth grader was spewing rhymed obscenities, in the fashion that Gaga
and Cyrus make up with obscenity, both spoken and visual, what they lack in
musical, dance, and artistic talent.
In the two-second attention spans of our app culture, a bare
nipple, a potty-mouth obscenity, or a multimillionaire’s flippant reference to
a “ho” earns followers and thus big money in a way that even once cutting-edge
Elvis Presley’s melodies or an against-the-grain Van Gogh impressionistic
painting or a T.S. Eliot poem could never quite seem so shockingly profitable.
Professors know that bored students do their Facebooking rather
than listen to lectures. Commuters fear that texting while driving is more
dangerous than drunk driving. Pedestrians are hit by other strollers whose
heads are glued to iPhones. No one believes that such fixations arise from
watching the History Channel, googling the Renaissance, or reading the Economist.
No matter — in our therapeutic culture, in theory millions of students could do
all those things, so the next new fad for our broke universities and trillion-dollar
indebted college students is to provide them all with free iPads. Only the
absence of an iPad robs us of future Edisons and Einsteins.
The radically egalitarian ethos demands always the descent to the
lowest common denominators of taste. A world without requisites is the fairest.
To capture the most attention of the masses requires a Cyrus, Gaga, or West.
Once classical canons of artistic, literary, or musical expression were torn
down, and once those classically trained rebels who ripped them apart
have passed on, we are left with the ruins of trying to shock what is perhaps
beyond being shocked. What more could Miley Cyrus do — wear two foam fingers?
Could Mr. West mount his girlfriend, and sing and dance while riding backwards?
Starting from Zero
In other words, once you have rebelled against hexameters, quarter
notes, or realistic representation, and after you have rebelled against that
rebellion with crucifixes in urine, obscenity-laced rap, and peek-a-boo nudity
on stage, what are
you left with? The 20th-century rebels who knew what they did not like
have been replaced by the anti-rebels who don’t know that there was ever
something against which to rebel. Again, we are left with the 21st-century
of Lady Gaga giving birth to a blue sphere, Miley Cyrus probing body orifices
with a foam oversized finger, and Kanye West humping on a motorcycle while
reciting obscene nursery-rhyme ditties.
In a society where endorsing fairness and equality equates with
success, no supposedly arbitrary canons can exclude much of anything. Who are
you to say that song A is bad, or movie B is good, given your own class, race,
and gender privileges that result in excluding someone or something? The less
dialogue and the more explosions and nudity earn supposedly more ticket-buyers,
at least until a new generation wishes to build something from the ashes.
There can be no truth in our culture, given that it discriminates
and proves hurtful to too many. The greatest sin in America is not to
lie, but to embrace a hierarchy of any sort at all.
I think Barack Obama once promised Americans that we would never
lose our doctors or preexisting health plans when his Obamacare was enacted.
But I am not sure anymore. He has explained that he never said that, and
retroactively added that he had long warned us that our plans were in danger if
they did not comply with his new guidelines. Maybe I’d forgotten that. Even if
the president of the United States is lying about his lie, what difference does
it make? Those who cite the lie, not the untruth teller, are those who seek to
impose discriminatory standards.
I also gather that Obamacare has so far not worked too well,
because Republicans and the privileged sabotaged it. Or perhaps it is working
well and soon we will see proof of that claim with an 80% successful sign-up
rate. After all, buy a book on Amazon or a ticket on Travelocity and you must
be pleased if you can get through in four out of five tries. In our present
culture, language creates reality, and those who object are veritable enemies
of the people.
Our culture also seems
shocked that you cannot mandate more healthcare for more people at less
cost. It is outraged that those who use it rarely would not voluntarily rush to
pay more for what others will use a lot. That there are still innate laws of
physics and human nature seems somehow
unfair or at least someone’s fault. More unemployment insurance, EBT
cards, disability coverage, and free phones appear magically because they
should do so. Those who say they do not, or do not wish them to appear
magically, apparently therefore ensure that they don’t.
I thought our culture had become less paranoid about matter of
race. But the opposite in fact is true. Oprah Winfrey is a multibillionaire,
and yet she announces that those whom she thinks are racist must soon
die for what she thinks is endemic racism to end. But who would
adjudicate who is and who is not racist? Oprah — who believes it is racist to
criticize Barak Obama? Maybe critics of the president can wear yellow badges
and be monitored and catalogued as we die, as proper metrics of the country’s
trajectory to a racially tolerant society? But who will police the police —
what if Oprah herself could be the racist who sees and judges people on the
basis of how they look or most closely approximate her own appearance?
Dispatches from the Memory Hole
The country elected and reelected Barack Obama. That means
nothing. As the president suffers the same second-term meltdowns as all
his predecessors — but not quite the visceral hatred that led to Clinton’s
impeachment and the near dehumanization
of Bush — we are told that racism explains why a president one day has a
60% approval rating and later barely achieves 40%. The IRS, Benghazi, NSA, AP,
and ACA scandals, and the embarrassments over Syria, Egypt and Libya apparently
mean nothing. Ponder that: In our present culture, to the degree you support
Obama you are exempt from the charge of racism; to the degree you begin to
question him, you earn suspicion.
Meanwhile, we hear whispers that in our big cities a new fad
spreads of young African-American teen males boxing unsuspecting people in the
head (the
“knockout” game). Even a congresswoman was decked. There
is gossip that Jews in New York are
especially targeted. I say gossip because usually the racial
profiles of both the victims and suspected perpetrators are felt to be better hushed.
Racism in our culture is not evident in selecting targets to brain bash
on the basis of their race, but in suggesting that the evidence so far suggests
that it happens.
In our relativistic culture, the common bond between incurring
vast national debt, federal programs that are failing, lies from top officials,
and a host of other scandals is simply who benefits and who is bothered.
Obamacare became a scandal only when 51% of the people feared that they would
be put out in a way they were not by a politicized IRS that collects someone
else’s taxes, or a NSA that spies on someone else, or an AP journalist whose
name no one knows, or a jailed video maker about whom no one cares. But
Obamacare affects the people and so the panicked men of the people must make
the necessary adjustments through euphemisms and falsities to the point that no
one can remember what was promised in 2009, much less what was even once said.
I saw the candidate Obama say in 2008 that a
president cannot pick and choose which laws to enforce. And I
saw him in 2013 do just that. But then did I really see that — and if I did why
would I mention that I did? What suspicious urge would drive me to note a
discrepancy? What thought crime am I guilty of?
Why would a culture that canonizes a Kanye West, Miley Cyrus, or
Lady Gaga have the discrimination to determine whether their chief executive
tells the truth or lies? Obamacare is a great program in a way that West,
Cyrus, and Gaga are great artists, in a way that more iPads will mean more
geniuses.
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